“TROUBLE IN CENSORVILLE” BOOK LAUNCH AT LITERATI BOOKSTORE

On Tuesday, October 1, 2024 (6:30pm), Literati Bookstore will host an in-person, open-to-the-public event featuring the recently published book Trouble in Censorville: The Far Right’s Assault on Public Education – and the Teachers Who Are Fighting Back. Edited by Rebekah Modrak and University of North Texas professor Nadine M. Kalin, the book features 14 testimonials by public school teachers who describe being fired, harassed, or smeared for teaching historical truth and racial justice and for offering books by and about LGBTQ+ people. 

Their stories bring readers face-to-face with the human cost of these attacks, which range from social isolation to pent-up anger over institutional betrayal to the terrible toll on teachers’ mental and physical health. Educators predict the future of a generation of students who are told to walk out of the room in the face of discomfort and no longer have access to books or critical thinking about American society. Their stories of frontline resistance provide a battle plan for confronting censorship, rallying support, and mobilizing a grassroots defense of public schools.

The Literati event will feature readings by Modrak and local educators — Sarah Anton, a secondary English teacher, and Jeff Gaynor, an Ann Arbor School Board member — and a Q&A period with the audience.

Chapter Published in Routledge book about Art-Based Research

Rebekah Modrak contributed a chapter to the recently published book Art-Based Research in the Context of a Global Pandemic, which explores the opportunities offered by art-based research. Art-Based Research (Routledge 2023), edited by Usva Seregina and Astrid Van den Bossche, considers the central, illuminative role that art-based research plays in our understanding of the unfolding crises of the Covid-19 global pandemic. Contributions to the book capture and explore lived experiences of the pandemic and begin a discussion about how meaning-making is changing through and beyond the pandemic. The book further explores how the practice of art-based research in itself has been challenged and transformed.

Modrak’s chapter, titled “‘Public School Teachers, You All Completely Disgust Me!’: How My Fake Trump Fought the Revolt of the Elites in Pandemic-era Ann Arbor,” reflects upon an artwork she created during the first year of the COVID pandemic in which she studied a group of consumer-minded parents who regarded public education as a ‘service’ like any other, subsidized by their tax dollars and, therefore, answerable to them. Incensed by the choice to shift learning to virtual classrooms early in the pandemic, before vaccines were available, this group of parents gave public commentary at Board of Education meetings disparaging the expertise of teachers, unions, and school board representatives and tacitly embracing the corporate paradigm that regards public schools as purveyors of goods and services, beholden to customers. In her chapter, Modrak describes hiring a Donald J. Trump impersonator to reread excerpts of these parental criticisms aloud in school board meetings, recording Trump’s diatribe, and inserting the video into a pre-recorded Board of Education meeting as though Trump had been one of the public speakers.  The video work was introduced into Facebook groups to elicit conversations about the toll such tactics were taking on teachers.